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about
Sam’s latest single is a cover of “Addicted to Love”. About the song, Sam says, “Everyone in our crew is a big fan of Robert Palmer’s debut album Sneakin’ Sally Through the Alley, which was produced by Lowell George of Little Feat with The Meters. When we were picking some cover songs to record, I wondered what it would sound like if we covered Palmer’s “Addicted to Love” but did it closer to how that band would have done it. My producer, Eric Corne, had worked with both Richie Hayward and Kenny Gradney of Little Feat and so we thought we’d ask current Little Feat slide guitar guru Scott Sharrard if he wanted to play on it.” The track also features drummer Butch Norton (Lucinda Williams), bassist Ted Russell Kamp (Shooter Jennings), keyboardist Sasha Smith (Sam Beam), trumpeter Mark Pender (Bruce Springsteen) and saxophonist David Ralicke (Beck) and background vocalist Gia Ciambotti (Joe Walsh). The result is a track that showcases Sam Morrow’s signature sound of deep pocketed grooves, bold technicolor arrangements and that rich southern drawl.
lyrics
The lights are on, but you're not home
Your mind is not your own
Your heart sweats, your body shakes
Another kiss is what it takes
You can't sleep, you can't eat
There's no doubt, you're in deep
Your throat is tight, you can't breathe
Another kiss is all you need
Whoa, you like to think that you're immune to the stuff, oh yeah
It's closer to the truth to say you can't get enough
You know you're gonna have to face it, you're addicted to love
You see the signs, but you can't read
You're running at a different speed
Your heart beats in double time
Another kiss and you'll be mine
A one-track mind, you can't be saved
Oblivion is all you crave
If there's some left for you
You don't mind if you do
Whoa, you like to think that you're immune to the stuff, oh yeah
It's closer to the truth to say you can't get enough
You know you're gonna have to face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
You're addicted to love
You're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it
Might as well face it
Might as well face it
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
The lights are on, but you're not home
Your will is not your own
Your heart sweats, your teeth grind
Another kiss and you'll be mine
Whoa, you like to think that you're immune to the stuff, oh yeah
It's closer to the truth to say you can't get enough
You know you're gonna have to face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it
Might as well face it, you're addicted to love
Might as well face it
Might as well face it
Might as well face it
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
Might as well face it, you're addicted to love
credits
released March 24, 2023
Produced by Eric Corne and Sam Morrow
Engineer: Eric Corne
Mastering Engineer: Mark Chalecki
MUSICIANS
Sam Morrow: Vocals, Guitar: Sam Morrow
Drums: Butch Norton
Bass: Ted Russell Kamp
Slide Guitar: Scott Sharrard
Keyboards: Sasha Smith
Background Vocals: Gia Ciambotti
Trumpets: Mark Pender
Saxophones: David Ralicke
Recorded at Horse Latitudes Studios
Mixed at Forty Below Studios
Written by Robert Palmer
Sam Morrow has carved out a sound that exists somewhere outside of genre and geography. It's his own version of modern-day
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